{"id":202,"date":"2025-08-27T17:29:21","date_gmt":"2025-08-27T15:29:21","guid":{"rendered":"https:\/\/www.hubersterzinger.ch\/HS\/building-a-new-new-world-amerikanizm-in-russian-architecture-copy-copy\/"},"modified":"2025-09-23T14:53:31","modified_gmt":"2025-09-23T12:53:31","slug":"building-a-new-new-world-amerikanizm-in-russian-architecture-copy-copy","status":"publish","type":"post","link":"https:\/\/www.hubersterzinger.ch\/HS\/building-a-new-new-world-amerikanizm-in-russian-architecture-copy-copy\/","title":{"rendered":"Lila"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":203,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"class_list":["post-202","post","type-post","status-publish","has-post-thumbnail","hentry","category-work"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"leftFrameMargin\": 10,\r\n  \"rightFrameMargin\": 10,\r\n  \"topFrameMargin\": 50,\r\n  \"mus\": {\r\n    \"colGutterMu\": \"%\",\r\n    \"rowGutterMu\": \"%\",\r\n    \"topFrameMu\": \"px\",\r\n    \"bottomFrameMu\": \"%\",\r\n    \"frameMu\": \"%\"\r\n  },\r\n  \"bottomFrameMargin\": 10,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"relid\": 3\r\n    },\r\n    {\r\n      \"relid\": 1\r\n    },\r\n    {\r\n      \"relid\": 5\r\n    },\r\n    {\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"relid\": 9\r\n    }\r\n  ],\r\n  \"bgColor\": \"#ffffff\",\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<div><div><div><div><div class=\\\"_Maintext\\\" style=\\\"text-align: left;\\\">Soudain, les lumi\u00e8res s\u2018\u00e9teignent et la femme, qui est grande comme la montagne, se l\u00e8ve et se met \u00e0 parler d\u2018une voix d\u2018homme. Ce sont des paroles indistinctes, graves. Elle est attir\u00e9e au centre du salon dans lequel nous sommes tous assis en cercle. Ses mouvements ne lui appartiennent plus, son corps est entrain\u00e9 par la musique comme si elle l\u2018avait pr\u00eat\u00e9 \u00e0 un danseur invisible. <br \/><br \/>This record is a collaboration between Noha Mokhtar and Gnawa musician Khalil Bensid. <br \/><br \/>Composition and music by Khalil Bensid; photography and text by Noha Mokhtar. Red or Blue version, with Green poster. Pressed at 250 copies. 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